“What do I do after … this?” I gesture around the room, and while I’m well aware that this could be interpreted as any number of things, I’m aware that H understands what I mean–graduate. Leave academia. I am comfortable here. I may not have always been the biggest fan of graduate school, but I can still negotiate a classroom setting like the best of them. Can I negotiate a world setting? I’m not sure. Other people think so, but I find myself continually pondering my capabilities. I want to write. I don’t want to walk dogs forever; it’s not how I’m interested in earning a living.
“Well, you’ll publish. And then you’ll teach. You have all this teaching experience, and as a published MFA, you’re qualified to use it.” Her expression indicated this should have been obvious to me. It wasn’t.
I have two lives for the first time. I am not just a girl who hides in the corner and scribbles in a notebook; I am also a dog walker with many regular dog friends who has to deal with doggy parents day in and day out. My boss has a life path for me that involves me getting certified as a dog trainer and helping the training side of the business. I love my each and every one of my dogs for different special reasons. I love what I do. But it isn’t what I thought I’d do. It’s a different ship than the boat I sailed to New York on.
I am interested in dog training, but I’m not. I can’t see how it would work with the life that I want, but I don’t how to say no to my boss. Have I ever said no? To anyone? And the most important question: When would I write?
Writing used to come easily to me; I did it all the time and everywhere. But now that it’s a thing I am supposed to do, I don’t really do it. I sit on my bed when I’m supposed to be working; I stare out the window. I watch people walking down the sidewalk without coats—it’s 70 degrees out today in New York City. It’s bright and sunny and warm and I am not a writer, because I am too busy being a dog walker. I have to make time. This is new to me recently, this idea that writing is something that has to be worked in, new because I never worked it in before. It just happened.
“How do I get here?” I ask H. I stop just short of saying How do I be you? What I want, what I have always wanted, is to be where she is. A professor, working one on one with students and teaching classes, but a writer first and foremost. It is obvious as we sit across from each other, her bare feet up on her desk and mine tucked beneath me as the sun sets out the window behind us, that she has a different plan for me. We talk about my future, about the position that is mine for the taking next year, should I choose to teach. It is a good position, with benefits, and it has always been my dream. But I don’t say yes right away. H can see farther ahead than I—she can see all the books that I will write, the students I will teach, the relationships I will form, where all I can see are dogs. All I can see is my writing life sailing away because I am too scared to get on the boat I worked so hard to start moving. By not writing, by stopping myself, I am standing on the pier and watching it move away.
In Tiny Beautiful Things, Cheryl Strayed writes, “I’ll never know, and neither will you, of the life you don’t choose. We’ll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn’t carry us. There’s nothing to do but salute it from the shore.”
I want my writer life to be the life I choose. I don’t want writing to be my ghost ship. I am ready to catch that boat that is already sailing away.
So, today, I make myself a schedule for the first time ever. I write. I sail. And next year? I teach.