It’s sunny outside today on the streets of New York, the kind of light so warm it has its own unnamed color. It’s sunny, and you will never see it. I imagine you though, as you would be now, eyes of greenish-gray that stare into me with a wisdom beyond your years; favorite color of blue, the blue of jean overalls like the favorite pair you have that you always refuse to take off; so smart that you skipped from pre-K to first grade because you were just that advanced. You remind me of me, or, rather, I imagine you do. You will never see it, you will never be any of it, and that’s okay—you were meant to do more somewhere else, and I was meant to be here.
I expected your skin when you were born to be like paper, that thin flimsy yet rough texture that cuts you if you touch it wrong; it wasn’t—your skin was like almost like mine with its peach and rosey blood hues, but marred with a translucent quality of never having seen the sun. Hair coated your head in wisps and slight curls, almost brown but not quite, so thin (like mine) that I could see the skin beneath. Everything about you looked normal, from the top of your head to the tip of your toes, and it occurred to me that occasionally time just stops us where we are, that we look the same when we die. At least at first. They put you in the fridge to keep you as you were, preserve you, in case I wanted to see you again. I didn’t. I wanted to remember you warm and pink, not cold and blue; I wanted to remember you as alive even though you weren’t.
Growing up, I was always afraid of death and the dead. When I came home from work to find my goldfish Herman floating in a u-shape above the pretty purple castle inside of his glass bowl on top of my television, I called my boyfriend to come and scoop him out for me. When my grandma’s dog Max died, I had to cover it in three different blankets so that I wouldn’t feel the body as I helped her put it in the car to take it to be cremated. I couldn’t touch them or be involved with any of it, because I couldn’t accept that they were dead. You were different though, your tiny body still somewhat warm from being inside of me, stiff from being dead for many hours, at least 22, but as many as 30—we would never know exactly. I felt like I was floating above you, like it wasn’t real, and I tried to grasp every detail: the way your fists were clenched and how hard it was for me to wrap your dead fingers around mine, fingers just long enough for playing an instrument, the way your head listed just slightly towards my chest in a way that made you seem alive. It didn’t seem right that you could be there, that you could whole and still be dead. It didn’t seem right at all. The only detail that I can’t recall, six years later, were the color of your eyes. I will never know this about you. It seems important, somehow, like a fact that I should know, and it kills me that I don’t. A mother should know what color her son’s eyes are. Were. Holding you gave new meaning to the word dead weight; your four pounds in my arms felt like the world and the air at the same time, like you were everything and nothing and here and gone, because you were—here, and gone. It is the gone that we don’t expect, that we don’t take pause to consider.
I’ve begun to forget your face. It’s harder every day to remember what you looked like, and so I write it down; I never head your voice, your laugh, and I never will, but I can commit what I saw to memory when it’s on the page. You were burned, your remains put into a little red satin box the shape of a heart that fit into my palm, and you were later scattered somewhere unknown to me. Your things are gone; you are gone; I have no part of you left, nothing physical to hold, to see. I have no proof of your existence, only memories of what I’ve lost, of what I’ve learned.
What I learned from you was the value of time. There is never enough. If I want something, I need to go for it. Get it. Take it. If I want to be the top, I need to rise to it. If I want to climb the mountain, I need to climb it. There is no time. There is never enough time. My roommate has a beautiful clock tattooed from her hip up through her ribs, with hands that spin and extend and get lost as they turn; I imagine that time is like that, that we spin and extend and get lost. Because of you though, with your beautiful piano fingers and your chubby little legs, I am not lost. I will not lose.